“You can hear the complex melodies in it.” He uses an AI program to remove vocals from beats, the AI text-to-image tool Canva for artwork, and ChatGPT for business matters as well. This concept works the same way with deleting clips too: when you select and delete an entire section of a song while Shuffle is engaged, the selected section will disappear and the section before it will now flow directly into the section that follows.Wolf says he has been tapping into AI tools for three or four years, including on an unreleased Juice WRLD collaboration called “ Sexual Healing.” “I used an AI to create a symphony and then sampled the symphony,” he says. When engaged, you can paste clips onto the arrangement window without overwriting clips that already exist in that spot instead, they simply shuffle over in order to make room for the new clips. It’s the Avid equivalent to the Insert key on a PC. Pro Tools’ Shuffle mode is a crucial component when it comes to rearranging the sections of a song. ![]() Much like the Varispeed Elastic Audio engine, Pro Tools’ polyphonic mode shares a similar set of strengths and weaknesses, and your final product may have an improved tonal quality if you decide to execute a final stage of X-Form processing. When preparing to transpose the key of a song, it’s important to separate the rhythmic elements from the melodic ones, as the transient rhythmic material generally doesn’t sound quite right after a change in tuning (unless a drum element is particularly resonant and is intentionally tuned to the key of the song). Instead, I prefer to use Elastic Audio and X-Form to change the key of tracks by using the Elastic Properties window. Simply applying Avid’s Pitch II plug-in is a quick and simple way to audition the change but its intense CPU usage isn’t worth the convenience (this results in enormous delay compensation and latency that completely eliminates the possibility of a smooth recording experience). There are many methods you can call upon when you need to transpose a track’s pitch. Alternatively, you can simply change the speed of the song’s two-track bounce, as opposed to applying Elastic Audio to every individual track within the song’s session. Once the processing has been approved, you can save your CPU’s resources by committing the tracks and turning Elastic Audio off. Make sure to time this out during a break. It’s a higher-quality algorithm that will have a better sound but the render time will be lengthy. One of its inherent drawbacks are the audible artefacts and glitches within its sound.īecause of this, we highly recommend switching all elastic tracks over to X-Form mode for a final stage of rendering to ensure maximum quality. Although Varispeed is incredibly fast and flexible, it’s an imperfect tool. The integral component here is the Timebase mode of your elastic tracks: if Ticks is selected, the track will conform when changes are made to the tempo, and when Samples is selected, the track will not respond and morph to changes in tempo. ![]() The Varispeed Elastic Audio algorithm is incredibly valuable for making time-based changes, and can be a lifesaver when you have to change the tempo of a track. It’s not rare that this will happen when producing songs professionally. This can be a lot to keep straight, and it’s integral that any producer, writer or engineer operating Pro Tools is able to execute these changes in a quick and timely manner. ![]() At any stage in the production process, an artist or producer may request changes in key, tempo and, most likely, arrangement.Įven at the very end of the mixing stage, I’ve had artists ask me, “Can you send me four versions of the bounce: one that’s up a step one that’s two BPM faster one with a double chorus at the end and a fourth with all of those changes”. It’s sad – and sadly not uncommon – to see a promising session turn sour thanks to the Pro Tools operator’s inability to keep pace with its many demands. ![]() Whether you’re making a song alone in your home studio or running a large session with a room full of writers and producers at a commercial facility, the situation is the same: inspiration has a time limit, and you can’t risk losing a brilliant idea due to clueless fumbling in Pro Tools.
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